Showing posts with label fearnley. Show all posts
Showing posts with label fearnley. Show all posts

29 March 2009

Signed to Academy Films

Good news

Left Eye Blind is now represented by Academy films for Music Videos and Commercials.



Oh and Liam Henry took a cute snap for publicity.

http://www.academyfilms.com/flash/#/academy/music_videos/

Vessels - 6 months in the making

It took six months to get this video made. But i feel it was worth the wait. Vessels are a band whose music i find visually encompassing, so it's difficult to say my idea was to cover them in cake.

Also the shorter version for the Directors reel



Directed and Produced by Left Eye Blind - http://vimeo.com/channels/lefteyeblind#2899917, lefteyeblind.net
Aurora Fearnely

Vessels - "A Hundred Times in Every Direction" was released in June 2008 Cuckundoo Records. - vesselsband.com

ALBUM OUT NOW

"Vessels - White Fields and Open Devices"
Experimental rock band who formed in 2005, and have since played over 100 gigs including the Leeds and Latitude festivals, released two 7"/download singles, one download-only single & recorded a full length album.

Starring:
Martin Teff
Tim Mitchell
Tom Evans
Lee J.Malcolm
Peter Wright

A Left Eye Blind Production - http://vimeo.com/channels/lefteyeblind#2899917 , vimeo.com/LEB

01 December 2008

Lets Talk About ... The Sugars




THE SUGARS - GOSSIP
Aurora Fearnley


What a lovely bunch those Sugars are, the name truly fits. From day one in Leeds I've heard about and seen The Sugars continually, ironically it's when they are in London when I get the chance to work with them. The day started with the band arriving from an overnight drive, bless em. They still looked fab all day and were in great spirits throughout the shoot.



It's always a bit nerve wracking to meet the band after pitching an idea, being on such a short time scale we hadn't had chance to meet up and chat yet. The video was conceptually post modern, with the film crew all part of the cast. The narrative was based around the interaction of the crew discussing the musicians, mainly the uncomfortable atmosphere created by gossiping. Hopefully a reflection of our modern day obsession with celebrity and gossip magazines.


On this shoot we had the always reliable support of Joe Mcdonald as our DOP and Camera operator, with the joyful Jason Torbit on Steady cam (all day!!). Again the brothers T came up trumps, spending the day in every role required, it would be unjust to call them runners. George, Sophie and Kelly the all female AD team, dubbed aurora's angels, were consistantly amazing. I can't help but mention Kev, the everyman. There isn't a role for Kev, he's onto it before you think to ask it, a superstar on set. Joe costello also put in a welcome appearance,
It has been a fun shoot. One moment that stood out was all of the crew standing around yelling insults at the band to get genuine close up reactions, what good sports. Think i might need to buy them all a pint next time in in Brick lane.


13 July 2008

Production Diary - Rochelle

Rochelle - Fer De Lance

I should let you into a little secret. It’s a small one though so don’t go clearing out important memories or pin numbers to hold it within your brain space.
This video was made on nothing. And by that I don’t mean it was made on thin air and candy floss. I mean it was made for very little money. I’ve been lucky enough to work on some pretty high budget work. In music videos and adverts where budgets are so big that money gets thrown in the air and people dance on king sized beds naked, rubbing themselves in dollar bills.

As a result, all of the people who worked on this video, did so for nothing. Nothing at all. NOTHING

Everyone either forgoed their fee or worked at a reduced rate equivalent to giving away their time for free. Every single person.
That should say something for the sixty odd people that are on the credits for the video . All the dancers that rehearsed for hours for it.
The crew that traveled for it.
The production team that has been working on it for months.
For Phil Wood, our brilliant camera operator who drove up from London for the shoot.
For Sarah Hartley, who sewed all of the girl’s costumes for the drones.
For Rob Gardner, the incredible Director of Photography who put off another (well paid) job to work on our low budget shoot.
For Sophie Dowd who worked tirelessly over the weekend as our 2nd AD despite her Monday to Friday, all hours job on Emmerdale; and for everyone else who if I could mention, I would.
Working on nothing, means that you have to work for everything. Every last bit of kit is measured for what it is worth, and every minute is well spent. For that, I am in Jamie Donoughue’s debt. Although I’m lucky enough to call him a colleague, I was blessed to have him work on the shoot as my producer. It is often the role that goes without the most credit, and you deserve the most for your work Jamie. It’s hard to be told to get everything for nothing, but you did an incredible job, especially when most producers do a ’great’ job of getting nothing for everything.

The two days of the shoot we’re probably the best shooting days of my life. More than anything because the crew we had we’re a joy and privilege to work with. The dancers we’re awesome, and a constant supply of energy and enthusiasm, frolicking, licking, friendliness and fun. And the band brilliant both as performers and supportive friends. It was brilliant for me, to see our little idea come to life, see the whole crew perform with such professionalism, the band drill their performances with such energy, that at times I had to pinch myself. It’s what happens when you’re doing your dream job.

For the weekend, where we had to get so much done on such a little time scale, Aurora Fearnley held my head in her hands for the majority of the time. She’s a brilliant first AD (the person who tells you what you have to do, and how quickly) and a fine friend. Her skills as an Assistant Director are only bettered as her work as an editor, and in the ensuing three week aftermath of the shoot, her experienced skills surpass her young age. She is responsible for so much of the finished film, from the cuts to the colour, the pace to the grade, in that, it is your work too Aurora.

Although this video carries my name as the director within these credits, it has been the hard work of Joe Costello, the co-director and SFX creator that has transformed the idea of the video into the video’s ideals. Without him, my brain would have been blown apart many times over, and I thank him for keeping it intact.

During January, I honestly didn’t know if the video was ever going to get made. Over the month Rochelle lost a member, changed record labels, and looked likely to blow out so big on the world that it fully justified them placing the video in someone else’s more trustworthy (or experienced hands). Throughout it all though, I had Joe ringing me and supplying our bodies with caffeine, thrusting the video in front of us regardless of what was going on around us. And it worked. Without him, this would have been a different project.
You’re a talented man Joe, and I thank you for it.

The band too were just fantastic, and considering it was their first time on camera, they did an amazing job. Lydia in particular something incredible in coming in and overcoming some pretty nervous nerves to do so much within the video.

22 June 2008

Just who the blazes are Left Eye Blind? Part 3

Aurora Fearnley




Aurora is best for her own narrative based, visually abundant music videos. They combine two of her favourite things music and film (or perhaps models and musicians?). She has sweet teeth and keeps her fingers, toes and earlobes in every pie and dessert around and is often believed to be in two places at once. This includes directing, producing and editing all sorts, from documentaries, events, live performances and short films to commercials and broadcast serials.

She is a 1st grade graduate from The Northern Film School in Leeds, where she has made a name as an organiser for the music video competition 20202 Vision and also now as director with Left Eye Blind. Her post production company Little Northern Light has been running for under a year and has already seen her flying to the middle east to work on the visually stunning "Sword of God" historical drama series.

Aurora is currently working freelance Internationally as a director, producer and editor for various companies and personal projects.

Ambitions to Make music videos for:
Bjork, Radiohead, Sigur Ros, crystal castles and MGMT